Where is the jewelry being sold? Off store shelves, or via ecommerce? Jewelry that will be shipped needs more protective packaging than jewelry taken off shelves. When you’re designing jewelry packaging, think about the following factors: What to consider when you’re designing jewelry packaging Take a look at some of the great jewelry packaging designs we’ve collected below. It also must often provide safety and cleaning tips, instructions and even styling suggestions, with these printed on outer layers or inserts. Not only must it assure the consumer of the quality and value of what’s inside it, but it has to protect the product inside from damage during shipping. From diamonds to diamantes, when your product is as delicate and ornate as jewelry, your packaging has to work twice as hard in being as protective as it is attractive. You can see Sir Peter Blake’s Everybody Razzle Dazzle for free from the Liverpool waterfront, or hop on board for a ride and explore the curated display about dazzle camouflage.Jewelry packaging is a key component of your semi-precious product’s overall design. Everybody Razzle Dazzle is commissioned by Liverpool Biennial, 14-18 NOW: WW1 Centenary Art Commissions and Tate Liverpool, in partnership with Merseytravel and National Museums Liverpool. This event took place at the Museum of Liverpool on 23 April 2017. Pepper’s Lonely Hearts Club Band, he describes the difficulties he has overcome to evolve into the major figure of Pop art he is today. From the iconic connections he has, and inspirations that influenced works such as the cover for Sgt. Discussing his commission and wider practice with art historian and writer Richard Cork, Blake takes us on a journey of his artistic career. To celebrate the two-year extension of Liverpool’s iconic Dazzle Ferry, Sir Peter Blake visited the city in April 2017 to reflect on his largest artwork to date. See Everybody Razzle Dazzle for free from the waterfront or hop on board to explore the curated display. Pepper’s Lonely Hearts Club Band in 1967. Sir Peter Blake has a strong relationship with Liverpool that extends beyond his famous design of The Beatles’s album cover, Sgt. 1932) is a leading figure in the development of British pop art and his work is synonymous with the use of imagery from modern culture, including comic books, consumer goods and advertisements. Share your photos using #DazzleFerry and create your own 3D dazzle artwork with the free Dazzle It app. An integrated education programme underpins the project and includes a free digital resource with interactive activities for use in or outside the classroom. Realised in monochrome and colour, each ship’s dazzle pattern was unique in order to avoid making classes of ships instantly recognisable to enemy U-boats and aircraft.Īs well as being a moving artwork, visitors who board the Snowdrop can learn more about the history of dazzle and the role that the Mersey Ferries took in the First World War in an on-board display curated by Merseyside Maritime Museum and Tate Liverpool. Unlike other forms of camouflage, dazzle camouflage works not by concealing but by baffling the eye, making it difficult to estimate a target’s range, speed and direction. Snowdrop will remain dazzled until it is taken out of service. This is the third in the series of Dazzle Ship commissions and the first to be a working vessel. Sir Peter’s design entitled ‘Everybody Razzle Dazzle’ (2015) covers the Mersey Ferry Snowdrop with a distinctive pattern in monochrome and colour, transforming the vessel into a moving artwork as it continues its service. Liverpool Biennial, 14-18 NOW: WW1 Centenary Art Commissions and Tate Liverpool commissioned one of the major figures of British pop… Find out more
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